There’s plenty to like about Meghan Trainor’s first full-length album, “Title.” The set, which includes music from a previously released EP of the same name, serves up all the doo-wop sass that hooked fans on the singer-songwriter’s Grammy-nominated hit, “All About That Bass.”

Jump to almost any track on “Title” and you’ll find a similar juxtaposition of cheeky lyrics stamped over malt shop-inspired production. Unfortunately, therein lies the problem: by album’s end, it seems Trainor and “Title” producer Kevin Kadish have beaten their brand of shooby-doo flavor to death.

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